Page 70 - ECOlogic Book
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The Fire Within
                                                      (Summer, 1993)

                                     The force that through the green fuse drives the flower
                                     Drives my green age . . . the force that drives the water
                                     Through the rocks drives my red blood.”    Dylan Thomas



               In a letter I received from my friend Gisela Vief, I read, “There is something
               about the cello playing that goes right to my soul . . . I had a shamanic
               journey where my power animal opened up my whole front and strings
               extended from the inside of me into the universe and connected me to it.
               That’s how I feel about the cello.  Somehow it opens me up to something
               intrapersonal and archetypal . . . It has to do with learning to let the playing
               originate in my soul  . . . suddenly the music links up to an area of my mind
               that was not previously connected to it.”

               This writing strikes me as a perfect example of a deep creative process.
               There is a wholly different quality to what my friend is experiencing and the
               creativity that is involved in, say, following a recipe, perhaps changing an
               ingredient or two.  The difference lies in her statement about linking up with
               something archetypal.  I would call it something primordial, a latent fire
               within each of us that burns brightly when our activities are connected to the
               universe.

               As Dylan Thomas suggests, this fire is not unlike the fire that glows in the
               natural world, when we are attuned to it.  It is the green fire described by
               Phillip Shabakov in his book about the history of the environmental
               movement, A Fierce Green Fire.   He describes an experience Aldo Leopold
               had when he was working as a wildlife management officer in a mountain
               region.  At the time, Leopold saw his job as that of controlling predators to
               encourage game.  In the line of “duty”, he shot a she-wolf with her cubs.  As
               he approached her he saw a fierce green fire in her eyes and realized that
               neither the wolf nor the mountain agreed with him.

               This fierce green fire, the fire within, is everywhere in the natural world.  The
               Iroquois call in Orenda: the invisible creative power, the life essence that
               permeates everything from the outermost stars to the smallest stone.  Here,
               I’m using the word “fierce” to mean an energy, a vitality that pervades the
               natural world and you and me, seeking expression; unfoldment through
               irreversible transformation.

               “Fierceness” or “wildness” is often defined as uncontrollable, violent or
               uncivilized behavior.  Yet wild animals rarely act that way, unless they are
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